Tracey Emin
Love Is What You Want
Tracey Emin’s latest retrospective exhibition at the Hayward
Gallery is alluring and eccentric. Everything displayed over three floors is
very personal: Emin’s subject matter is her life. She engages viewers with an
intriguing insight to her childhood and sex life, including intimate details of
rape and abortion. She is a natural storyteller.
Emin is one of Britain’s most successful and controversial artists,
known for her explicit style. But it is the way Emin expresses her thoughts and
stories through a variety of mediums that makes her work stand out. Firstly it
is the precious insight into an artist’s life you would never expect to
encounter in a gallery. Frank, even sweet, are her memories on film, sculpture,
installation, drawings, and photographs. Not to forget the upholstered armchair
inherited from her grandma that travelled with Emin to America.
Spotlights are on her personal memories of incidents expressed
through a variety of mediums and handwritten text. Many viewers, particularly
women relate to her because of the personal experiences she has had. The
misspelling is part of her body of work. Its continuous flow of communication
reflects her thoughts about herself, which are pure, beautiful and often harsh.
Slogans like ‘FUCK SCHOOL WHY GO SOMEWHERE EVERYDAY TO BE
TOLD YOU ARE LATE’ are mapped on vivid patchworks displayed on the wall. The blankets are huge storyboards where
she, the narrator, draws viewers in to the adventure land. This is just the
beginning. The wooden installation of beach hut is homage to her father. It
could have a background of seaside but the exhibition is a vivid wonderland
already. Instead, I imagine it on England’s coastline with warm wind whistling
by.
The neon room is a step closer to her love life. This is the
murky space where viewers feel a closer connection, as the main slogan says –
love is what you want. It is honest and catchy and as Emin puts it: ‘it has to be
specific’. This room is definitely my favourite; a nightclub vibe.
Her provocative drawing style reflects Egon Schiele’s continuous
line, which gives the artwork a fragile character. The subject matter in her
drawings revolves around female sexuality, sex and genitals.
I leave the gallery with poignant feelings. The journey the viewer experiences are emotional and rewarding; Emin is optimistic about her disturbing life experiences.
Love may be what she wanted. It was not always what she got.
What I got from her work are images I will never lose.
Showing from 18 May – 29 August 2011 @ Hayward Gallery, London
Showing from 18 May – 29 August 2011 @ Hayward Gallery, London
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